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Barolo Arione, Enzo Boglietti, 2013

Barolo Arione, Enzo Boglietti, 2013

Dark cherry, tar and rose petal, with a plush, sweet-edged richness wrapped around firm, grainy tannin.
Regular price £425.00
Regular price Offer price £425.00
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Optimal drinking window: 2026 - 2043

 

Enzo Boglietti has never been one to hide from controversy, and his Barolo Arione sits right at the heart of it: a modernist's take on one of La Morra's most storied crus, built with riper fruit, more generous oak, and a plushness that traditionalists love to argue about over dinner. The 2013 vintage, though, is a reminder of why this estate earns its following: a classically structured Barolo year gave Boglietti the backbone his style sometimes lacks, and the result is a wine of real substance under the velvet.

Expect dark cherry and crushed rose, liquorice and a savoury tarriness that Nebbiolo does better than any other grape, all carried by tannins that are firm without being austere. This is Barolo built for pleasure as much as contemplation, and 2013's natural structure means it has the stuffing to go the distance. We'd leave it until at least 2028, though there's no harm in checking in before then.

At thirteen years old, the primary cherry fruit has already begun folding into tertiary notes of tar, leather and dried rose, though there's still real vibrancy at the core. Expect the tannins to continue softening over the next five to ten years, with the savoury, truffle-like complexity that Nebbiolo develops with age becoming more pronounced. By the early 2030s this should be singing, with fruit and structure in genuine harmony rather than one chasing the other.

Tasting Notes

AppearanceGarnet core fading to a brick-orange rim, showing its thirteen years.

NoseDark cherry and dried rose give way to tar, liquorice root and a whisper of vanilla from the oak. There's a savoury, almost meaty undertow typical of mature Nebbiolo from a serious vintage.

PalateRich and plush on entry, more generous than many a Barolo, but 2013's structure keeps it honest with firm, fine-grained tannin and bright acidity. Red fruit turns to something darker and more savoury through the mid-palate.

FinishLong, tarry and persistent, with tannin that lingers but doesn't bite.

Overall impressionA generous, full-throttle Barolo with the backbone to age gracefully.

Food Pairings

In La Morra, this would land on the table alongside brasato al Barolo, beef shin braised for hours in the very wine itself until it falls apart on the fork. Equally at home with tajarin pasta tossed in butter and shaved white truffle, or a plate of Castelmagno cheese drizzled with chestnut honey. The tannins and savoury depth also make it a natural partner for game, think pheasant or wild boar ragù, dishes that have fed the hillside towns of the Langhe for generations.

We think this wine would go well with

Roast Lamb Venison & Game Beef Stew & Casserole Rack of Lamb Ox Cheek & Braised Beef Pheasant & Game Birds Truffle Pasta Stilton & Blue Cheese

FAQs

What does this wine taste like?

Dark cherry, tar and rose petal, with a plush richness and firm tannin typical of a structured Barolo vintage.

Is this wine ready to drink now?

Yes, 2013 has given it enough structure to drink well now, though it will continue to improve until at least 2043.

What food should I pair it with?

Classic Piemontese dishes work best: braised beef in Barolo, truffled pasta, or game such as pheasant or wild boar.

How should I serve this wine?

Serve at 16-17°C in a large glass, decanting for an hour to open up the aromatics.

Is this a modernist or traditional style of Barolo?

Boglietti is known as a modernist producer, favouring riper fruit and more oak influence, though the 2013 vintage gives this wine serious structural backbone.

Is this wine worth cellaring?

Absolutely. The 2013 vintage has the tannin and acidity to reward patience well into the 2030s and beyond.

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Enzo Boglietti winery

OUR GROWERS

Enzo Boglietti

Enzo Boglietti took over his family's vineyards in La Morra in the late 1980s and quickly became one of the leading voices of Barolo's modernist movement, favouring shorter macerations and judicious use of new French oak alongside fruit of real concentration. He's since found a more settled middle ground, respected even by those who once dismissed the modernists as fashion-chasers. His holdings across some of La Morra's best sites, including Arione, Brunate and Case Nere, give him a rare breadth of material to work with.

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